{"id":6679,"date":"2025-10-02T13:33:14","date_gmt":"2025-10-02T04:33:14","guid":{"rendered":"https:\/\/en.kogei-japonica.com\/media\/?p=6679"},"modified":"2025-10-02T13:33:50","modified_gmt":"2025-10-02T04:33:50","slug":"aichitriennale","status":"publish","type":"post","link":"https:\/\/en.kogei-japonica.com\/media\/events\/aichitriennale\/","title":{"rendered":"Aichi Triennale 2025 Breaks New Ground in Traditional Crafts | Contemporary Ceramic Art from the Millennium-Old Pottery Capital of Seto"},"content":{"rendered":"

From September 13 to November 30, 2025, over a 79-day period, Aichi Prefecture will host one of Japan’s largest international art festivals.
\nThe highlight is that Seto City, a ceramic production center with over a thousand years of history, will serve as a main venue, bringing together 62 artists from around the world in this pottery capital that gave rise to the term “setomono” (ceramics).
\nThe artistic director is Hoor Al Qasimi (President and Director of Sharjah Art Foundation, President of the International Biennial Association), who was ranked #1 in the British art magazine ArtReview’s 2024 “Power 100”<\/a>, opening new horizons between traditional crafts and contemporary art.<\/p>\n

This article provides professional analysis for ceramicists, workshop managers, curators, and researchers in the craft industry, examining exhibition strategies at the Aichi Prefectural Ceramic Museum (reopened in April 2025), Seto City’s industrial value as one of Japan’s Six Ancient Kilns, and market opportunities brought by international curation.<\/p>\n

\n
\n

Table of Contents<\/p>\n<\/span><\/div>\n